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CHAPTER 3

"Brave Angel, The Song"

The title track "Brave Angel" came to me in a dream. It's fun to dream the band on stage. We get to wear clothes we could never otherwise afford  and we tend to make less mistakes. The lights came up and the band was playing some dark and driving number. There I was front and center with a huge pair of wings. My wingspan must have been 15 feet. I believe I was unintentionally tickling the guitarists ass with my feathers. I think the whole thing was spawned from the artwork from the first album. It's dark and has an angel that you can actually make out under bright light. In the dream, a backdrop eventually unfolded revealing the very same angelic art before the song wrapped up. When I awoke I wrote the song very quickly. In less than 20 minutes as I recall. It ended up having a similar story line to the Nick Cage and Meg Ryan flick "City of Angels". When you peel away the onion skin you find the age old thought "you don't know how good you've got it". The grass
is only greener on the other side when you don't water what you've got and push it aside. An angel might wish to be a mortal just to see what it felt like to sleep comfortably on her back.

In the studio we laid down an insane amount of guitar tracks on this song. They all compliment eachother so well that it ended up being a stroke of genius rather than an excersise in overkill. Manny played the synchopated power chords in the verse as well as the solo and ominous feedback noises. I played the constant droning sound throughout the verses and the ringing sound at the head of each measure. The tough task at hand now is to decide what parts to play live. Obviously half of the guitar work has to be absent. On a percussive note, we came up with an off-time break before the last chorus about a week before tracking the album. Simple really, one measure of 5/4 in the form of a blistering drum fill. Unfortunatly, after all the basic tracking was done and Kevins drums were returned to his home, Kev and I noticed that his blistering drum fill was less than energetic. he pleaded with Mark and I to find a way to inject some life into it in the final mix down. We had no idea how time consuming that would be. We tried a series of effects and ultimately settled on a flange (similar to what the "Electric Light Orchestra" used on just about all their instruments all the time). I'm still not sure if it blisters, but all the time spent flipping through programs on the Lexicon and patching this to that and these to those like a 1920's switchboard operator with a bad attitude seems to have paid off.

It made the title track because I was determined to remain in keeping with the same theme as the first record. I never intended this disc to be a
departure from what we were doing the first time around. It should serve as an additional collection of what we feel are our favorite songs. An extended demonstration of what the band is about and what it can do. Maybe we should have called it "Blue Meridian Too".

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